The Wenatchee World

Weather:

Weather

Five-day forecast

Remove this weather forecast

Today

Hi60° Isolated Showers

Tonight

Lo45° Rain Likely

Thursday

Hi64° Rain Likely

Thursday Night

Lo43° Mostly Cloudy

Friday

Hi61° Partly Sunny

Friday Night

Lo41° Slight Chc Showers

Saturday

Hi63° Mostly Sunny

Saturday Night

Lo40° Slight Chc Showers

Sunday

Hi64° Slight Chc Showers

Sunday Night

Lo41° Slight Chc Showers

Rio 2’ piles it on and spoils the fun

With "Rio 2," the creators of "Rio" give us more of everything that their first film had in just the right doses. But if this sequel proves anything, it's that more is not always better.
20140403-090126-pic-694974865

New ‘Captain America’ fails to rally the troops

The superhuman efforts director Joe Johnston made to persuade Chris Evans to re-enlist in the comic book movie universe as “Captain America” pay more dividends in “Captain America: The Winter Soldier.”

Bateman sheds his put-upon guy image in ‘Bad Words’

All those years of packing his resume with "long-suffering" reasonable guys forced to do the slow burn when confronted by irrational family, bosses or identity thieves must have gotten to Jason Bateman.
20140320-072450-pic-625255855

‘Divergent’ is ‘Hunger Games’ without the arrows

“Divergent,” the latest outcast-teen-battles-The System thriller, is similar enough to “The Hunger Games” that hardcore Katniss fans may dismiss it. But it’s a more streamlined film, with a love story with genuine heat and deaths with genuine pathos.
20140313-072416-pic-195958394

‘Budapest Hotel’ delivers four-star design

We should all be so lucky as to live in a world designed, peopled and manipulated by Wes Anderson. His latest film, “The Grand Budapest Hotel,” is a dark, daft and deft triumph of design details. From the purple velvet with red piping hotel uniforms to the drinks, colognes and artwork of Europe between the World Wars, Anderson ensconces his eccentric characters and us in a time of baroque, imaginary 4-star hotels run on what used to pass for 4-star service.
20140306-114140-pic-485151148

‘300’ sequel is prettier but less thrilling

It was too much to hope that someone with Gerard Butler’s charismatic, bellowing swagger would be around for the sequel, “300: Rise of an Empire.” His Leonidas and his oiled-down eight-pack are sorely missed, as are the quotable quatrains of that famous fight, the Spartan trash talk that sings through the ages. So many Persian arrows will rain on them that they will “blot out the sun”? “Then we shall fight in the shade.” There’s nothing that moving in “Rise of an Empire,” a more visually stunning but less thrilling ...
20140303-122251-pic-837268253

‘12 Years a Slave’ rises up, wins Best Picture

LOS ANGELES — Perhaps atoning for past sins, Hollywood named the brutal, unshrinking historical drama “12 Years a Slave” best picture at the 86th annual Academy Awards. Steve McQueen’s slavery odyssey, based on Solomon Northup’s 1853 memoir, has been hailed as a landmark corrective to the movie industry’s virtual blindness to slavery, instead creating whiter tales like 1940 best-picture winner “Gone With the Wind.” “12 Years a Slave” is the first best-picture winner directed by a black filmmaker.
20140227-074639-pic-966428311

From ‘Almost Live!’ to Oscar limelight

On Sunday night screenwriter Bob Nelson will be seated in the Dolby Theatre in Los Angeles for the Academy Awards. His movie “Nebraska” is up not only for his screenplay but for five other Oscars, including Best Picture. Heady stuff for a self-described “boy from Kent.”
20140220-084810-pic-177582472

Pompeii’ not explosive, but kind of fun

“Pompeii” is half sword-and-sandal epic, half disaster movie and all guilty pleasure. Director Paul W.S. Anderson, taking a break from cranking out “Resident Evil” movies, has a strong command of CGI technology and 3-D effects, and the movie is so grand in scale that you can’t help surrender to the spectacle, even if the stuff that’s going on with the people in the film is often close to risible.
20140213-083012-pic-701083957

A new, and somewhat improved, ‘RoboCop’

The reboot of “RoboCop” uses the basic blueprint from the 1987 movie starring Peter Weller. It’s been modified and updated to create a sleeker design, but it is not as intellectually cutting-edge.
20140206-074421-pic-288977873

Clooney goes corny, cliche in ‘Monuments’

“The Monuments Men” is the “Last Vegas” of World War II movies. A roughly true/fictionally embellished account of the efforts of American arts scholars drafted into the Army to preserve the artistic patrimony of Europe from the scourge of combat and theft by the Germans, it is a cute but clunky ensemble piece that director George Clooney rarely bestows with the gravitas and jauntiness this material demanded.