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Tom Cruise stuck on ‘Edge of Tomorrow’

In this year’s annual Tom Cruise sci-fi epic, he plays a future soldier condemned to repeat the same botched D-Day invasion until he triumphs against the alien beasties who keep killing him and forcing him to start this waking nightmare again.
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Million Dollar Arm’ runs the bases

"Million Dollar Arm" is a baseball movie that pulls off a smooth triple play. It's a character-based comedy drama that's also a smart film about the business of sports. As if it weren't difficult enough to work that double angle, there's also an exotic international focus. The story focuses on immigrant players struggling with social disorientation and homesickness, an underreported aspect of the game that has caused many a gifted recruit to fail. And by the way, it's all based on a true story.
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Godzilla’: Too many people, not enough monsters

The "Godzilla" reboot perfectly illustrates the problem that has long haunted mediocre monster movies. When the big, scaly guys are on screen, it's a fun thrill ride. But when the humans are at the center of the action, things get scary — and not in a good way.
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‘Neighbors’ has an ‘Animal House’-sized ‘Hangover’

“Neighbors” is an “Animal House” for “The Hangover” era, a frat-boy comedy that pushes the rude and raunchy envelope into daring and dirty new territory. Hilariously coarse, reasonably shrewd and clumsily sentimental, there’s no reason it won’t earn a billion and inspire a whole new generation of party-hearty “bros” to go Greek when they go to college.

Rio 2’ piles it on and spoils the fun

With "Rio 2," the creators of "Rio" give us more of everything that their first film had in just the right doses. But if this sequel proves anything, it's that more is not always better.
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New ‘Captain America’ fails to rally the troops

The superhuman efforts director Joe Johnston made to persuade Chris Evans to re-enlist in the comic book movie universe as “Captain America” pay more dividends in “Captain America: The Winter Soldier.”
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‘Divergent’ is ‘Hunger Games’ without the arrows

“Divergent,” the latest outcast-teen-battles-The System thriller, is similar enough to “The Hunger Games” that hardcore Katniss fans may dismiss it. But it’s a more streamlined film, with a love story with genuine heat and deaths with genuine pathos.
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‘Budapest Hotel’ delivers four-star design

We should all be so lucky as to live in a world designed, peopled and manipulated by Wes Anderson. His latest film, “The Grand Budapest Hotel,” is a dark, daft and deft triumph of design details. From the purple velvet with red piping hotel uniforms to the drinks, colognes and artwork of Europe between the World Wars, Anderson ensconces his eccentric characters and us in a time of baroque, imaginary 4-star hotels run on what used to pass for 4-star service.
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‘300’ sequel is prettier but less thrilling

It was too much to hope that someone with Gerard Butler’s charismatic, bellowing swagger would be around for the sequel, “300: Rise of an Empire.” His Leonidas and his oiled-down eight-pack are sorely missed, as are the quotable quatrains of that famous fight, the Spartan trash talk that sings through the ages. So many Persian arrows will rain on them that they will “blot out the sun”? “Then we shall fight in the shade.” There’s nothing that moving in “Rise of an Empire,” a more visually stunning but less thrilling ...
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‘12 Years a Slave’ rises up, wins Best Picture

LOS ANGELES — Perhaps atoning for past sins, Hollywood named the brutal, unshrinking historical drama “12 Years a Slave” best picture at the 86th annual Academy Awards. Steve McQueen’s slavery odyssey, based on Solomon Northup’s 1853 memoir, has been hailed as a landmark corrective to the movie industry’s virtual blindness to slavery, instead creating whiter tales like 1940 best-picture winner “Gone With the Wind.” “12 Years a Slave” is the first best-picture winner directed by a black filmmaker.