Oboist Jim Rich joins the Con Spirito trio in a performance of “Prodigal Sons: Music By Celebrated Law School Dropouts Who Disappointed Their Parents” by composers Christoph Graupner, Johann David Heinichen and Georg Philipp Telemann.
Love. Deceit. Disguise. Everything but death. That last element, it’s said, is what distinguishes tragedy from comedy. Nobody dies in Wolfgang Amadeus Mozart’s “Così fan tutte,” so it must be a comedy. (Also: it’s funny.)
WENATCHEE — An annual holiday concert featuring one of the region’s top gospel quintets will expand this year to feature comedy, skits and a choir of some of the area’s most accomplished singers. “A Christmas Celebration,” the annual concert of CommonBond 5, will also be the release party for the group’s sixth compact disc, entitled “Come Out of the Wilderness.”
You can’t help but stand for the “Hallelujah” chorus of George Frideric Handel’s “The Messiah.” Blame it on King George II. The English monarch purportedly rose to his feet during the famous chorus, which closes the second act of Handel’s 1742 oratorio.
Icicle Creek Music Center resident pianist Oksana Ezhokina directs Leavenworth’s annual piano festival, which includes a week-long intensive of private lessons and master classes for budding young musicians.
The Feb. 4 evening concert by violin maestra Midori at Sleeping Lady Chapel Theater, with pianist Charles Abramovic, has sold all available seats. A free pre-concert talk by Midori, at 4:30 p.m., is still open for reservations by calling 548-6347.
Midori refused to be frozen in time. She could have forever been that violin genius who made her attention-getting debut with the New York Philharmonic, at age 11. Or the 14-year-old who wowed America, and Leonard Bernstein, by overpowering two broken violins to carry out her solo with the Boston Symphony Orchestra at Tanglewood in 1986.